Frage von Randoms:
I have a long project, through different White Balance Camera operation and 3, I have different colors in the face clips.
My goal is that I, as a reference Ex assume the complexion of a clip, and can then potentially match the color of skin as a preset on the other clips.
What do I do that?
Do I need the "color correction" or the "3 way color correction" filter of Final Cut Pro?
Can someone explain to me the way how to get to goal?
Antwort von PowerMac:
How about with Google next time?
http://forums.creativecow.net/thread/8/1040287
Antwort von Randoms:
This is not the function I need.
I need the operation of the pipette bspweise picks up the man with the face color to it then impose a different-face ".
The procedure you describe with the link, and even takes into account any changes of light, and several different white balance. So I would have to make a re-adjustment for each clip, so I understand the least.
So the problem is not resolved.
I found here was:
http://www.5min.com/ video / How-to-use color correction --- Final Cut Pro-162041808
That's quite a good situation, but I do not know how I can do that over multiple clips without having to actually do it individually.
Is it not possible to pick up the reference once and then execute it as a preset?
Antwort von Axel:
Since a
filter (and not a color / one color, what you meant with the pipette) is copied and used on another clip, as described below:
"1 Open the source clip in the viewer angle
2. Add CC filter
3. CC Adjust to taste
4. Drag CC filter from viewer tab to browser
5. CC filter drag from browser onto first instance of respective angle in multiclip timeline and HOLD mouse button over clip without releasing. An overlay will pop up with two options. "
... - You have misunderstood something. However, there are a few things to consider:
1. If you have the ability to use color for color correction (learning curve has been limited, as long as the manual actually complete)
reads. 2. With three different cameras, take one of them, whose look you like s.besten per se and tune it to the fullest satisfaction. How? Please understand that the basics are described in more detail, and nowhere better than in the manual, and that especially in creative cow synonymous video is very good tutorials, example
of this. 3. Take then a recording of the second cam and they s.The color-corrected to adjust first. You are looking for is not a neutral color, but the look of the first camera.
4. Apply the filter to all clips on each of the second cam.
5. Same with the third cam, with the CC Mach-clip of the first reference.
6. Contrary to what one expects, because it has no continuous range of colors in all clips. But: The small adjustments to the "consistency" are now much easier than it would have been before. The three cams are namely (in case of White Balance) which provided that among them a neutral, maximum color and brightness information represents. The attempt to filter them instantly in the sense of mutual adjustment, cuts too early values, one would like to possibly use for the look. So perhaps this odd-looking sequence.
If you only seek to a neutral look, there is nonetheless a look, the decision is subjective.
Antwort von Randoms:
.. now `s" geschnackelt "...
1000 Dank!!
Antwort von DWUA:
What do I do that?
Do I need the "color correction" or the "3 way color correction" filter of Final Cut Pro?
Can someone explain to me the way how to get to goal? You mean "Color Matching". Is in the 3-way color correction
to see
objective tone. Pipette for the automatic color balance and take a Color
in Referenzclip choose. To "become green" pipette under
one of the color circles and then click on the color, the adapted
are intended to be corrected in the clip.
The
Frame Viewer is to be very helpful.
That would be the easiest way to a
"first aid" - action.
Antwort von Randoms:
Thanks @ all!
