Infoseite // Fields interpolate / de-interlace in Final Cut Pro 6?



Frage von fragenüberfragen:


Hello,
I have a school for a movie with Final Cut Pro 6 on the school computer cut. Normally, I use Premiere and Final Cut Pro is new for me.
Now I have the problem that I Effect "Field interpolate" or "de-interlace" not found. Did the two terms in the search of the help of Final Cut Pro typed, but there were no results ... How is this effect / Final Cut Pro 6?
Habs with "motion blur remove" tried, but it was somehow wrong ...
What I want is: interpolate 50i material to beautiful slow to get ...
Can someone please tell me where the de-interlace in Final Cut Pro 6 hidden?
Thank you for your help.

Space


Antwort von Axel:

The (simple) deinterlacing function can be found at> Effects> Video Filters> Video> Skip repeal (or something like that is from memory), which corresponds to the known thee premiere function. A better method is to export with Compressor (File> Export> Compressor use). The default setting for your material (DV? HDV?) You have to duplicate (Manual) to set the default values editing. Under one of the tabs ( "Frame Control"), you will find the option "deinterlace" and under this again many more of you, the "adaptive" choose. Sounds more complicated than it is.

But!
50i to 25p is deinterlacet, so you use slow motion for nothing. A clean double slow motion you get when you have the clip from the timeline by double clicking in the viewer open, then> Modify> Speed> 50% choose. All phases of movement are used, every other row rather clean interpolated. But speeds are synonymous others look good, even though Final Cut Pro synonymous with "variable speed" still no interpolation of phases makes, but only with Picture crossfading works (this checkbox to activate at all, except 50%). For four slow motion, this process is repeated with the image no longer fade as well, but the interpolation of intermediate stages you need another program or an expensive plugin.

You must also not forget that when the rest of your material "i" is the deinterlacer brings no profit. Final Cut Pro is reliable in the calculation of fields, because you need not worry to have. The above described deinterlaces is only useful if you have the clip for a Webfilm version exportierst. If on the other hand, your other recordings in 25p, simply prefer the 50i-25p clip in this timeline. That would be the simplest case.

Space


Antwort von fragenüberfragen:

Hi Alex,
Thank you for the extremely helpful reply. You've solved my problem and my same reasoning synonymous removed :-) I must also still much to learn ... Thank you!

Space



Antworten zu ähnlichen Fragen //


Final Cut Pro 7 - External Tone asynchronous to the image
Final Cut Pro 7 to Final Cur Pro X
Question for Final Cut Pro update 5:04
Transitions in Final Cut Pro - always "poor content"
Rumors around Apple's next explosion Final Cut Pro
Different FPS in Final Cut Pro
Next Final Cut Pro version presented to selected audiences
Lamination of Fussler on Lens in Final Cut Pro
Final Cut Pro 7 will not install
Final Cut Pro Round Clip in Clip
Final Cut Pro "loses" media -> Connect new?
Proper export from Final Cut Pro 7.0




slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash