Frage von Mantis:
So I have a. Mov Video available in each case in h264 and DV and the corresponding sequences synonymous adjusted accordingly. Why should the DV be rendered in the video track and not the h264?
Antwort von Axel:
I read constantly sowas:
I created an H.264 sequence ... Please what is it? How to create such a sequence?
Otherwise: if (!) The calculator is fast, he can (H.264 with most sequence settings to play in real time, he needs to practice, since the complex H.264 compressed knows at least the "solution" by its QT container) but you still can with the real time is relatively quick vinegar. To be rendered) in any case (pale green render bar, at least before an output
as ...
DV is always rendered, where FC is not even there gecapturet (then called AppleDV, the ending is known. "Mov", the other non-compliant DV quicktime is called. "Dv", see iMovie). When rendering creates no loss of quality.
In a very short, simple film, it may be okay to throw DV and H.264 in a timeline. The wisest of the workflow is complete, the entire codec Babel before the import, by everything in ProRes (of course, ideally in the size of the output target - Pal as SD, is meant only the size changes).
